1/3
2/3
3/3
Camel Artist Oil Colours
Individual tube of French Ultramarine in 40 ml
₹260
40 ml
40 ml
120 ml
Only available at retail stores.
First introduced in 1965
Created using the semi-precious stone lapis lazuli, this is possibly the only pigment that has cost more than gold. It was mined in Afghanistan and reached Europe in the 13th century via the silk road. This rare and labour intensive mining produces the striking blue you see in this shade.
Shade | French Ultramarine |
Shade Code | 144 |
High | |
Slow
| |
Series Number | 2 |
Pigment Code | PB 29, PV 23 |
Transparent
| |
B
| |
|
Features |
|
|
01 |
Superior effects with high-quality pigments and greater pigment load |
|
02 |
To be used on primed canvas/paper only |
|
03 |
Must be used with Linseed Oil as primary medium |
|
04 |
Can be used in impasto, glaze and wash techniques |
|
05 |
Ideal for 'Wet in Wet' blending |
|
06 |
'‘Fat Over Lean’ technique offers the best results and long life
|
|
07 |
100% vegan |
Product Code - 115144
Art created with
Artist Oil Colours
Use Oil Mediums for best results
Preparation Stage
Mediums that create the right texture and a suitable surface for oil painting.
Painting Stage
Mediums that modify the body and behaviour of oil colours to get the desired effect.
Protection Stage
Mediums that impart a uniform finish and protect the oil painting.
Pro Tips from Artists
Immerse brushes and tools in Turpentine to stop colours from drying on them.
Use Turpentine to clean all tools.
Use Oil Colours in a well ventilated area.
Let each coat dry before applying another coat to avoid cracking.
Can be applied with a palette/painting knife.
Learn something
new today
“
“Every colour has a purpose. An artist must keep this purpose in mind while handling it to get the most of it.”
